A journal dedicated to the passage of ideas: from theoretical insight, through mathematical formalisation, into technological realisation.
Philosophy, Mathematics and Technology is published by Airela Press. The journal holds that mathematics is the universal medium through which theory becomes technique — and technique becomes the world. We publish work that takes this passage seriously, at every stage of the journey.
The journal welcomes contributions from all disciplines. Whether your starting point is philosophy, physics, biology, economics, law, art, or any other field of inquiry, we are interested in work that reaches for mathematical rigour and presses toward technological consequence.
We publish original research articles, critical essays, and review papers. There are no disciplinary boundaries — only a shared commitment to precision, depth, and the transformative power of formal thought.
Ideas from any discipline — philosophy, natural science, social science, humanities — examined for their conceptual structure, internal logic, and potential for formalisation.
The transformation of theory into rigorous form: proof, model, abstraction, and structure. Mathematics as the universal bridge between thought and application.
How formalised knowledge becomes method, instrument, and infrastructure. The passage from mathematical result to engineered reality, across all domains of practice.
We invite submissions from scholars in any discipline whose work engages seriously with the formalisation of theory or the mathematical foundations of technology.
Manuscripts should be submitted by email with the subject line "Submission — [Paper Title]". Please include your manuscript as a PDF or Word document attachment.
All submissions undergo double-blind peer review. Authors can expect an initial decision within three to six weeks of submission.
Philosophy, Mathematics and Technology is committed to maintaining the highest standards of publication ethics and academic integrity.
All submissions undergo double-blind peer review conducted by qualified scholars in relevant fields. Manuscripts are evaluated solely on academic merit, originality, clarity, and relevance to the journal's aims and scope.
The journal does not tolerate plagiarism, data fabrication, falsification, or any form of academic misconduct. Submitted manuscripts may be screened using plagiarism-detection software.
Authors are expected to disclose any conflicts of interest that may influence the interpretation of their research.
The journal reserves the right to retract published articles in cases of serious ethical violations, including plagiarism, fraudulent data, duplicate publication, or unethical research practices.
The use of artificial intelligence tools in manuscript preparation must be appropriately disclosed by authors. Authors remain fully responsible for the accuracy, originality, and integrity of submitted work.
The characters in Fyodor Dostoevsky's novels often carry profound philosophical implications. This paper applies a psychiatric perspective to analyze the fate of the characters in The Idiot, exploring the intricate relationship between social structures and individual psychology. Through a detailed examination of Prince Myshkin's epilepsy, extreme empathy, and moral absolutism, it is concluded that Myshkin's "idiocy" is not an inherent flaw but rather a consequence of the pathological influences of his social environment, including class corruption, materialism, and gender discrimination. Through an interdisciplinary analysis combining psychiatry, sociology, and literary criticism, this paper argues that the formation of individual character is a product of the interaction between societal conditions and biological factors. Furthermore, the psychiatric pathology of other characters, such as Nastasya Filippovna and Parfyon Rogozhin, is explored, revealing how the social structure exacerbates personal trauma and maladaptive responses, intensifying the tragedies that unfold.
This paper explores how the unique playing styles of football stars Ronaldinho and Ronaldo embody distinct philosophical principles that shape their popularity and cultural value. By introducing the Style-Value Model, the paper argues that an athlete's playing style is not only a demonstration of technique but also an expression of the underlying philosophical ideas and values. ...
Future issues will be listed here as they are published.